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Envisioning the intersections of photography and performance. This issue, a collaboration between
Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance.
In the Words section, Tate curator
Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator
Lauren Cornell looks at how artists such as
K8 Hardy, Juliana Huxtable, and
Amalia Ulman use social media to calculated effect; Performa founder
RoseLee Goldberg and MoMA curator
Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and
Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists
Walid Raad, Rabih Mrou , Lina Saneh, and
Joana Hadjithomas and
Khalil Joreige.
In the Pictures section,
Delfim Sardo considers the Portuguese artist
Helena Almeida's Inhabited Painting(s) and other works;
Brian Sholis on the disquieting appeal of
Torbj rn R dland's images;
James Welling introduces his new series Dance Project;
Olu Oguibe on
Samuel Fosso's recent Mao Zedong series;
Brian Dillon on
Dru Donovan's recreations; Performa curator
Adrienne Edwards on how
Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo
Zheng Mahler's Performa 15 debut performance; and
Kristin Poor explores two approaches to photographing dance, by looking at
Barbara Morgan's enduring images of
Martha Graham, and
Babette Mangolte's photographs of Trisha Brown's dance performances.